open mind/international jewelry exhibition
Wednesday, December 21, 2011
Wednesday, December 14, 2011
“OPEN MIND”
international contemporary jewelry exhibition-history and the new material
by guest curator
Kiwon Wang
CURATORIAL PROPOSAL
Objects of adornment have been a significant part of cultures around the
world since the earliest recorded history. Whether imbues with power, bestowed
as a trophy of social status and wealth, or worn as personal decoration,
jewelry communicates basic messages about who we are and for what we stand. In
contemporary times, jewelry had moved beyond its ornamental roots-even beyond
its role as a signifier- to become an art form that is no longer associated
solely with any one defining characteristic. This shift was the result of an
intense period of activity in the second half of the twentieth century, during
which intellectual concepts became valued more than traditions of preciousness;
the production of jewelry returned to the studio environment; artists brought
broader artistic movement and significant influences to bear on their
aesthetic. The jewelry made by artists worldwide this period challenged both wearers
and viewers to confront their ideas about art and personal adornment. The
conflicts,contrast, resolutions, and reconciliations that rose from these struggles
defined an entirely new field.
Goldsmiths feel
themselves to be artists, just as sculptors or painters are, who create
individual works of art for the human body. This means that their creations are
a reflection of artistic as well as social conditions. For the wearer, this
kind of jewelry signifies identification and communication to enter into an
intensive dialogue through the medium of jewelry.
The way in which
the new art of jewelry strives to relate to people on an individual level,
while at the same time taking part in the artistic developments and trends of
our time, continues to inform our understanding of jewelry as a sign of the
times. The tendency toward new materials was one of the earliest to take hold.
The exclusive use of expensive materials became less important than any
other age. Inexpensive and readily available materials such as synthetic
resins, woods, fine steel, iron, ceramics, glass and textiles, either in
combination with or instead of gold, silver, platinum, precious stones and
pearls, found increasing popularity. Stones, chosen less for their material
value than for their peculiar beauty, were treated by completely novel methods.
Found objects were integrated; many pieces of jewelry assumed the character of
objects, so becoming largely independent works of art whose original decorative
function was sometimes renounced.
This art form, jewelry,
enjoys high status due to the creativity of its designers and the growing
interest of an art-conscious and design-aware public. Jewelry as an art form
has already won broad acceptance and it is to be hoped that the creativity of
its designers and the interest of the public will be sustainable in the future.
A significant contribution
to contemporary jewelry design has also been made by international designers
who are carefully selected will exhibit their work in this exhibition, “open
mind” that will attract interest worldwide. A new understanding and history of
contemporary jewelry and the new material, titled as “open mind” will be
displayed at the Sungkok Art Museum as a platform to educate public and museum
goers. The contemporary jewelry exhibition has been exhibited very few times at
the art institution especially museum environment in korea, therefore this exhibition
will play a major role in the field of contemporary jewelry field.
Tuesday, December 13, 2011
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